| The Devil Beats His Wife: New York City, 1952 
       —for Ruth Orkin 
      In the city that year it rained 
        every day. The time was always 
        late afternoon, cloud-flecked sun 
        shining at the end of the avenue. 
        Beneath the three-story brownstones  
        that scrutinized every street, 
        Packards and Chryslers  
        and mammoth Hudson’s lined the curbs,  
        waxed hoods slick as wet skins.  
      On the desolate glistening sidewalk 
        a hatted man in silhouette 
        was forever passing a woman 
        without umbrella or pocketbook, 
        exchanging one eloquent  
        eternal glance that implied 
        some impossibly romantic scene 
        they knew from movies—as black  
        and white as the world to come.  |