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             Figuring 
              Out the Spread  
            Robert 
              Lietz 
             Not 
              the first to dream or make their case 
              for gravity, dreaming of falling parts, and not the first 
              to wonder that their words could 
              fail to say so,  
             marveling 
              the Mayday snows, gossiping April's 
              custodies, never the first but visible, and keen 
              as they'd come to be on doubt, talking 
              off the top,  
             thinking 
              to make some what? or anyhow stay put, 
              deciding, even as weathers must decide, to stand 
              on their luck and boasts of good 
              stock simmering.  
             A 
              man-- polite among the forms-- surveys the crimps 
              and registries, seeing what foods these cousins like, 
              inviting him to laugh, or saying 
              what somebody  
             thought 
              of him, laughing off the twists, dream-frauds 
              and hovering commotions/those tracks beneath 
              the sills, those barefoot tracks 
              where bodies floated up,  
             presenting 
              themselves to him like overnight deliveries. 
              Matters of fact maybe, the breathing pine made split 
              or blown apart to start a vigil, 
              because the blooms  
             were 
              overgrown, because they had gone ahead as told, 
              reeling with the peppers and engrossing cloves, 
              acting their own stuffed selves 
              and x-ing vowels out,  
             assuming 
              this ease to match the international reporting. 
              And what re-seeded lots, and what suburban 
              back-lots left to railroads, what 
              foods these cousins like,  
            
            reveal 
            less a world as is, reveal the tricks where voices 
            seem to rise from the construction, to speak 
            from the cement, from the surfaces 
            made to glow  
            
             with 
              cosmetic bristling, no longer exactly comfortable, 
              and always a little out of touch, no longer 
              amused in the old ways, to sharpen 
              brunch-warmed  
            alphabets, 
              spooking to glow from spore 
              -sprung desolations and veneers.  
            
             The 
              2River View, 2_1 (Fall 1997)  
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